self.detach (2008)

March 18th, 2008

 self.detach

Autonomous installation by Tim Horntrich and Jens Wunderling.

The piece self.detach - decomposing identities continuously scans whatever is being posted to Flickr. Images that are understood as being self-portraits (pictures tagged as “me”, “moi”, etc) will be extracted. They are then shredded into RGB pixels, which in turn are translated to physical colored grains that fall out of the machine.

Visually it first makes me think of Felix Gonzales-Torres’ famous Untitled (Portrait of Ross in LA) from 1991 - a huge pile of colored candy, weighing 175 lbs (80 kg) like Gonzales-Torres’s partner Ross before he started losing weight. I guess Horntrich and Wunderling are not aiming for quite that level of serious contemplation, but still, perhaps it is more than a jab at postmodern deconstructionism. At the project website the talk about the Buddhist practice of laying mandalas with colored sand, ephemeral paintings that are just brushed away into candy-colored piles of sand after they are done. With that in mind this piece does become a rather beautiful image for thinking about the futility of posting images of yourself at Flickr. “Look, this is me”. So?

Structured tagging: autonomous, installation, mixed reality

Further reading:

Electrohype 2008 call for entries

March 8th, 2008

electrohype 2008 call for entries

Just so you know, there will be a new edition of Electrohype in Malmö, Sweden, this fall (2008). The call for entries is out on the electrohype website, electrohype.org

Kick Ass Kung-Fu (2004)

March 1st, 2008

Interactive mixed reality game by Animaatiokone Industries.

Kick Ass Kung-Fu

Kick Ass Kung-Fu is a mixed reality fighting game. You perform your real martial-arts type moves in front of a camera. On screen you see both yourself and your virtual opponents. Fight!

I’m particularly impressed by the way they managed to mix physical motion with game-like physics on screen (super high jumps, super fast moves, etc). It’s also really liberating to do this sort of gaming without having to strap on any type of sensors, glasses or other gadgets, and at the same time allow you to use any physical object as a weapon. There are some videos on the site below showing all the nifty features.

Further reading:

Listening Post (2002)

February 28th, 2008

Autonomous installation by Ben Rubin and Mark Hansen.

Listening Post

Listening Post is a piece that listens to a number of online chat forums in real time. It extracts lines (those that contain the words “I am…”) and then displays these at the small displays, and reads the lines out using text-to-speech software.

While this sounds simple enough, it really is very nicely done. You should have a look at the page below and watch the videos to get the idea. This piece won the Ars Electronica Golden Nica for interactive art in 2004.

Further Reading:

Structured tagging: autonomous, installation

Fringe

February 28th, 2008

Christer’s piece from Fringe #0003

Fringe is a recurring gathering of people with an interest in stuff like new media art, physical computing, creative engineering, VJ stuff, etc., here in Stockholm.

At a typical Fringe gathering, there are a number of presentations, often followed by some sort of performance or DJ/VJ set, and usually a bar of some kind. We try to strike a balance between art and technology, and between “senior” artists/designers/researchers and new talents. At some point we also plan to start arranging workshops and other events.

One of the key ideas of Fringe is that it arranged by the community, for the community. This hints that while we have (so far) never stopped anybody from coming, we do want the people who come to be prepared to present something at some point. This is also why Fringe events are not announced in any other way than by direct e-mail to the people “on the list”. With one exception - since Fringe gatherings are usually hosted by some other organization, whoever is hosting an event is free to invite more people to that particular event.

To learn more about Fringe, check out the Fringe website: fringe.nu

The image above is one of the student pieces shown at Fringe #0003 at Konstfack, by Christer Chytraeus. This is only the inner mechanism of a odd machine that keeps a plant hooked up to the Internet. The dark box at the bottom is actually a beautiful accordion, modified to work as a sort of mechanical lung supplying the plant with fresh air.

For the record, this Fringe has no affiliation whatsoever with the Fringe festivals started in Edinburgh, but it is a direct continuation of the Fringe that ran in Gothenburg a few years ago. Fringe is an initiative by the Interactive Institute Art & Technology Program (where I work, when I’m not on parental leave, which I am at the moment). The main guy pulling the Fringe in Stockholm is Alberto Frigo.

The Legible City (1989-1991)

February 19th, 2008

The Legible City

Interactive installation by Jeffrey Shaw. In 1989-1991 he made three versions of three cities (Manhattan, Amsterdam, Karlsruhe)

In Legible City the visitor is seated on a stationary training bicycle in front of a 3d “city” comprised entirely of text. Using the pedals and handle of the bike the visitor can navigate the (virtual) city. There are also different audio clips that get played if the visitor follows certain tracks - a narrative dimension to this piece that seems to have been largely forgotten by the impact of the mixed (virtual/physical) reality interface.

Further reading

Ambiguous Icon #5 (Running, Falling) (2000)

February 18th, 2008

Ambiguous Icon

Autonomous LED installation by Jim Campbell.

This low-resolution LED matrix display (32 x 24 pixels, all red) show a video of a person running and falling.

This is a piece from Campbell’s “ambiguous icon” series of LED works.

Further reading

My Doomsday Weapon (2002)

February 14th, 2008

My Doomsday Weapon

Sci-fi conceptual art by Jakob S Boeskov

In 2002 Boeskov traveled to China to visit a weapons fair, ostensibly representing the (fictional) company Empire North, looking for investors to develop the “ID SniperRifle” - a rifle capable of firing small GPS chips. Fire at anybody, and you can track them down!

The legend has it that Boeskov more or less had to flee the place after he started getting too many people seriously interested in backing the project - not knowing it was all an art project, or as some would call it, a hoax.

This is perhaps not so much a new media piece as it is a more conceptual piece, dealing with (the fiction of) technology. Oddly enough I have heard people talking about this piece, assuming it would be firing RFID chips.

Structured tagging: conceptual

See also

Live Taped Video Corridor (1970)

February 10th, 2008

Live Taped Video Corridor

Video installation by Bruce Nauman.

In Live/Taped Video Corridor, you walk down a long, very narrow corridor. At the end of the corridor there are two monitors on top of each other. The lower one shows a video tape of the corridor, the upper one shows a live (CCTV) video of the corridor, shot from a camera at a height of about 3 meters, at the entrance of the corridor. The effect is that as you walk down the corridor, you see yourself from the back, and as you approach the monitor you get further away from the camera so you never really get any closer to “yourself”.

Structured tagging: video, installation

Further reading:

Watschendiskurs (2004)

February 10th, 2008

Watcschendiskurs

Autonomous robotic installation by Frank Fietzek and Uli Winters.

On two white pedestals we see two characters, a cat and a frog. They both look like some sort of odd low-tech cyborg versions of stuffed animals. When you walk closer you hear they are having a very serious discussion about language philosophy, quoting Kant and Wittgenstein and so on. From time to time they will lose their temper and resort to slapping each other.

I saw this piece during Ars Electronica 2005 and for some reason this is one of the pieces I really remember - more than some of the award winners.

Structured tagging: autonomous, kinetic, robotic, installation

See also: